830

“The Magellan and Pioneer space probes near Venus have reported through radar imagery (or radio-based imaging) that “snow” on the surface of Venus contains large quantities of lead sulphide. It is not hard to imagine a situation that certain geological tracts of this metallic snow act as a coherer in the presence of radio waves from outer space, clumping together to mark forever the arrival of a message from distant stars, like an interstellar telegraph in Morse Code. Two years before Karl Jansky’s discovery of the cosmic radiophony, Hart Crane wrote in the poem Cape Hatteras:

“And from above, thin squeaks of radio static,

The captured fume of space foams in our ears —

What whisperings of far watches on the main

Relapsing into silence, while time clears

Our lenses, lifts a focus, resurrects

A periscope –””

The kohl-makers of Venus

((( 1/फे )))

@fadesingh

829

early Japanese animations from the collection of national film center, tokyo

http://animation.filmarchives.jp/en/index.html

828

“(…) perhaps the crash will look like a string of blockbuster movies pandering to right-wing conspiracies and survivalist fantasies, from quasi-fascist superheroes (Captain America and the Batman series) to justifications of torture and assassination (Zero Dark Thirty, American Sniper). In Hollywood, studios run their scripts through the neural networks of a company called Epagogix, a system trained on the unstated preferences of millions of moviegoers developed over decades in order to predict which lines will push the right – meaning the most lucrative – emotional buttons.  Their algorithmic engines are enhanced with data from Netflix, Hulu, YouTube and others, whose access to the minute-by-minute preferences of millions of video watchers, combined with an obsessive focus on the acquisition and segmentation of data, provides them with a level of cognitive insight undreamed of by previous regimes. Feeding directly upon the frazzled, binge-watching desires of news-saturated consumers, the network turns upon itself, reflecting, reinforcing and heightening the paranoia inherent in the system.
Game developers enter endless cycles of updates and in-app purchases directed by A/B testing interfaces and real-time monitoring of players’ behaviours until they have such a finegrained grasp on dopamine-producing neural pathways that teenagers die of exhaustion in front of their computers, unable to tear themselves away.  Entire cultural industries become feedback loops for an increasingly dominant narrative of fear and violence.”

New Dark Age: Technology and the End of the Future

James Bridle (https://jamesbridle.com/)

0827 – Alpha (2018)

timespace coordinates:  Upper Paleolithic Europe, 20,000 years in the past

Alpha is a 2018 American historical adventure film directed by Albert Hughes and written by Daniele Sebastian Wiedenhaupt, from a story by Hughes. The film stars Kodi Smit-McPhee as a young hunter who befriends an injured wolf during the last ice age, with Jóhannes Haukur Jóhannesson as his father. The wolf is played by Chuck, a five-year-old Czechoslovakian Wolfdog. (wiki)

The archaeological record shows the first undisputed dog remains buried beside humans 14,700 years ago, with disputed remains occurring 36,000 years ago.

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imdb

0826 – Birdman (2014)

timespace coordinates: 2013 NYC

Birdman or (The Unexpected Virtue of Ignorance), commonly known simply as Birdman, is a 2014 American black comedy (a short list of the diverse forms of film genre associated with the film has included it being referred to alternatively as a black-humor film, a mental health film, a realism/surrealism/magical realism film, a dark-humor parody film, a film of psychological realism, a failed domestic reconciliation drama, or a film concerning theatrical realism and naturalism.) film directed by Alejandro G. Iñárritu. It was written by Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., and Armando Bo. The film stars Michael Keaton with a supporting cast of Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, and Naomi Watts. The story follows Riggan Thomson (Keaton), a faded Hollywood actor best known for playing the superhero “Birdman”, as he struggles to mount a Broadway adaptation of a short story by Raymond Carver.

The film covers the period of previews leading to the play’s opening, and with a brief exception appears as if filmed in a single shot, (wiki)

by Diego Riselli

imdb

0825 – The Forgotten Space (2010)

timespace coordinates: 2000’s Netherlands / United States / Belgium / China / Spain

The Forgotten Space (Allan Sekula & Noël Burch, 2010) follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.

A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.

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The sea is forgotten until disaster strikes. But perhaps the biggest seagoing disaster is the global supply chain, which – maybe in a more fundamental way than financial speculation – leads the world economy to the abyss. (http://www.theforgottenspace.net/)

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imdb

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https://timespacewarps.wordpress.com/2018/07/09/679-night-in-the-woods-2017-video-game/