Category: Uncategorized
1154 – The Mask (1994)
timespace coordinates: 1990’s Edge City
The Mask is a 1994 American superhero / screwball comedy directed by Charles Russell, produced by Bob Engelman, and written by Mike Werb, loosely based on the comic series of the same name published by Dark Horse Comics. The film stars Jim Carrey, Peter Greene, Amy Yasbeck, Peter Riegert, Richard Jeni, Ben Stein, Joely Fisher, and Cameron Diaz in her film debut.
It revolves around Stanley Ipkiss (Carrey), an unfortunate bank clerk who finds a magical mask that transforms him into a mischievous zoot-suited gangster.
The film was released on July 29, 1994, by New Line Cinema, becoming a critical and commercial success, grossing over $351 million over a $23 million budget. It cemented Carrey’s reputation as a dominant actor of the 1990s, and established Diaz long-term as a leading lady. (wiki)
1152 – Samsara (2011 documentary)
Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.
The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)
1146 – Baraka (1992)
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)
Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)
1144 – Ambient 1: Music for Airports (1978)
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released by Polydor Records in 1978. The album consists of four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.
Music for Airports was the first of four albums released in Eno’s Ambient series, a term which he coined to describe music “as ignorable as it is interesting” that would “induce calm and a space to think.” Although it is not the earliest entry in the genre, it was the first album ever to be explicitly created under the label “ambient music“.
The album was installed at the Marine Air Terminal of New York’s LaGuardia Airport in mid-1980. (wiki)
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1143 – Captain Marvel (2019)
timespace coordinates: Kree Empire’s capital planet of Hala, 8K1M.YY67A47+58E698L / planet C-53 Terran Homeworld CO53.FR45887+125X47 (1995 California, Louisiana)
imdb / Roy Thomas‘s 1971 “Kree–Skrull War” / 149
Captain Marvel is the name of several superheroes appearing in American comic books published by Marvel Comics. Most of these versions exist in Marvel’s main shared universe, known as the Marvel Universe. (read more)
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