movies

0803 – Sorry to Bother You (2018)

timespace coordinates: alternative present-day version of Oakland, California

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Sorry to Bother You is a 2018 American absurdist dark comedy with aspects of magical realism and science fiction inspired by the world of telemarketing written and directed by Boots Riley, in his directorial debut. It stars Lakeith StanfieldTessa ThompsonJermaine FowlerOmari HardwickTerry CrewsPatton OswaltDavid CrossDanny GloverSteven Yeun, and Armie Hammer.

Capitalism


Boots has maintained that the film offers a radical class analysis of capitalism, rather than a specific analysis of America under President Trump, clarifying that he wrote the initial screenplay during the Obama administration, and that the target was never any specific elected official or movement, but rather a broader look at “the puppetmasters behind the puppets.” While the majority of the final script remained the same, minimal changes were made prior to shooting in order to avoid the film appearing to be a critique of Trump specifically, including removing a line where a character says “Worry Free is making America great again,” written before Trump would use the line in his 2016 presidential campaign.

False consciousness 


The title of the film has a double meaning, referencing both the phrase’s use by telemarketers and its general usage when telling a person something you know they might not like to hear, such as the Communist themes present in the film. According to Boots, “…the other side of it is, is that often when you’re telling someone something that is different from how they view things, different from how they view the world, it feels like an annoyance or a bother. And that’s where that comes from.” The theme of the strike was used to reflect the need to “organize people in the workplace” and for workers to recognize their power. When asked on his choice to cast Armie Hammer as Steve Lift, Boots stated that Armie was a “lovable dude,” whose casting reflects the current state of “new capitalism,” where the realities of working conditions are hidden, referencing lines such as “I’m not your boss, I’m your friend.” (wiki)

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0802 – The Adjustment Bureau (2011)

timespace coordinates: 2006 – 2010 New York City

adjustment poster

The Adjustment Bureau is a 2011 American romantic science fiction thriller film loosely based on the Philip K. Dick short story “Adjustment Team“. The film was written and directed by George Nolfi, produced by Chris Moore and stars Matt Damon and Emily Blunt. The cast also includes Anthony MackieJohn SlatteryMichael Kelly, and Terence Stamp. The film tells the story of a United States congressman who discovers that what appear to be chance events in his life are controlled by a technologically advanced intelligence network. (wiki)

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0801 – Minority Report (2002)

timespace coordinates: 2054 Washington, D.C. and Northern Virginia

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Minority Report is a 2002 American neo-noir science fiction film directed by Steven Spielberg and loosely based on the short story “The Minority Report” by Philip K. Dick. It is set primarily in Washington, D.C., and Northern Virginia in the year 2054, where PreCrime, a specialized police department, apprehends criminals based on foreknowledge provided by three psychics called “precogs“. The cast includes Tom Cruise as Chief of PreCrime John Anderton, Colin Farrell as Department of Justice agent Danny Witwer, Samantha Morton as the senior precog Agatha, and Max von Sydow as Anderton’s superior Lamar Burgess.

The film combines elements of tech noirwhodunitthriller and science fiction genres, as well as a traditional chase film, as the main protagonist is accused of a crime he has not committed and becomes a fugitive. Spielberg has characterized the story as “fifty percent character and fifty percent very complicated storytelling with layers and layers of murder mystery and plot”. The film’s central theme is the question of free will versus determinism. It examines whether free will can exist if the future is set and known in advance. Other themes include the role of preventive government in protecting its citizenry, the role of media in a future state where technological advancements make its presence nearly boundless, the potential legality of an infallible prosecutor, and Spielberg’s repeated theme of broken families.

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During pre-production, Spielberg consulted numerous scientists in an attempt to present a more plausible future world than that seen in other science fiction films, and some of the technology designs in the film have proven prescient. Minority Report has a unique visual style. It uses high contrast to create dark colors and shadows, much like a film noir picture. The film’s overlit shots feature desaturated colors which were achieved by bleach-bypassing the film’s negative in post-production. (wiki)

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799

Ant-Man (2015)

KTaylor_AntMan_REGULAR_FINALforprint_1024x1024Ant-Man is a 2015 American superhero film based on the Marvel Comics characters of the same nameScott Lang and Hank Pym. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the twelfth film in the Marvel Cinematic Universe (MCU). The film was directed by Peyton Reed, with a screenplay by the writing teams of Edgar Wright and Joe Cornish, and Adam McKay and Paul Rudd. It stars Rudd as Scott Lang / Ant-Man, alongside Evangeline LillyCorey StollBobby CannavaleMichael PeñaTip “T.I.” HarrisAnthony MackieWood HarrisJudy GreerDavid Dastmalchian, and Michael Douglas as Hank Pym. In Ant-Man, Lang must help defend Pym’s Ant-Man shrinking technology and plot a heist with worldwide ramifications. (wiki)

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Ant-Man and the Wasp (2018)

MV5BYjcyYTk0N2YtMzc4ZC00Y2E0LWFkNDgtNjE1MzZmMGE1YjY1XkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_Ant-Man and the Wasp is a 2018 American superhero film based on the Marvel Comics characters Scott Lang / Ant-Man and Hope van Dyne / Wasp. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sequel to 2015’s Ant-Man, and the twentieth film in the Marvel Cinematic Universe (MCU). The film is directed by Peyton Reed and written by the writing teams of Chris McKenna and Erik Sommers, and Paul Rudd, Andrew Barrer, and Gabriel Ferrari. It stars Rudd as Lang and Evangeline Lilly as Van Dyne, alongside Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Hannah John-KamenAbby Ryder FortsonRandall ParkMichelle PfeifferLaurence Fishburne, and Michael Douglas. In Ant-Man and the Wasp, the titular pair work with Hank Pym to retrieve Janet van Dyne from the quantum realm. (wiki)

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505 – Downsizing (2017)   /   348

movies

797 – Hold the Dark (2018)

timespace coordinates: December 2004, small village in the Alaska wilderness (Keelut)

‘Green Room’ filmmaker Jeremy Saulnier’s art-horror adaptation of Arctic Noir novel is bloody, brutal, bleak and Freudian as hell”  (rollingstone review)

hold_the_dark-475733281-largeHold the Dark is a 2018 American thriller film directed by Jeremy Saulnier from a screenplay by Macon Blair. It is based upon the novel of the same name by William Giraldi. It stars Jeffrey WrightAlexander SkarsgårdJames Badge DaleRiley Keough, Tantoo Cardinal, Irene Bidel and Julian Black Antelope. (wiki)

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796 – Side Effects (2013)

timespace coordinates: 2010’s New York Citymax1368026662-frontback-coverSide Effects is a 2013 American psychological thriller film directed by Steven Soderbergh and written by Scott Z. Burns. It stars Rooney Mara as a woman who is prescribed experimental drugs by psychiatrists (Jude Law and Catherine Zeta-Jones) after her husband (Channing Tatum) is released from prison. (wiki)

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0795 – Cure (1997)

timespace coordinates: 1990’s Tokyo

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Cure (キュア Kyua) is a 1997 Japanese psychological horror-thriller film written and directed by Kiyoshi Kurosawa, starring Kōji YakushoMasato Hagiwara, Tsuyoshi Ujiki and Anna Nakagawa. The film was released to strong critical acclaim in both the East and the West, with critics praising Kurosawa’s direction as well as the visuals and atmosphere. In 2012, South Korean film director Bong Joon-ho listed the film as one of the greatest films of all time. (wiki)

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