0347 – mother! (2017)

Mother! (stylized as mother!) is a 2017 American psychological horror film written and directed by Darren Aronofsky, and starring Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer.  Lawrence said that the film is an allegory: “It depicts the rape and torment of Mother Earth … I represent Mother Earth; Javier, whose character is a poet, represents a form of God, a creator; Michelle Pfeiffer is an Eve to Ed Harris’s Adam, there’s Cain and Abel and the setting sometimes resembles the Garden of Eden.

The film uses a dream-logic narrative, of which Aronofsky has noted, “if you try to unscrew it, it kind of falls apart,” and that “it’s a psychological freak-out. You shouldn’t over-explain it.”

http://www.imdb.com/title/tt5109784/

346 – Dunkirk (2017)

spacetime coordinates: 1940 France

Dunkirk is a 2017 war film written, directed, and co-produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II.  The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros..

Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue: Nolan sought to create suspense instead from cinematography and music.

Dunkirk has extensive practical effects, and employed thousands of extras as well as boats that participated in the evacuation, and period aeroplanes.

The film received praise for its generally realistic representation of the historical evacuation. It accurately depicts a few Royal Air Force planes dogfighting the Luftwaffe over the sea, limited to one hour of operation by their fuel capacity. In 1940, destroyers and fighter planes were indeed held back from battle, as the Royal Navy and Air Force would have been the sole defenders against invasion. Also praised were accurate depictions of how a small boat attempted to evade aerial attack, and how soldiers returning to England saw a civilian population largely unaware of or unaffected by the war. British officers did initially refuse to evacuate French soldiers, although Churchill later insisted that the French be evacuated alongside the British. The overall realism of the film was acknowledged by surviving Dunkirk veterans, although Branagh said that some thought it “was louder than the battle” (read more: Historical accuracy)

*by_jwolforange13

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http://www.imdb.com/title/tt5013056/

345 – Pacific Rim (2013)

spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean //  Tokyo

Pacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Robert Kazinsky, Max Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.

The film is set in the future, when Earth is at war with the Kaiju,  colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers,  gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.

Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference.  The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers.  Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic. 

Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.

Rather than popular culture, the director drew inspiration from works of art such as The Colossus and George Bellows‘s boxing paintings.

The classic Japanese woodblock print  The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.”  The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”

https://en.wikipedia.org/wiki/Pacific_Rim_(film)

http://www.imdb.com/title/tt1663662/

0344 – Monsters (2010)

Monsters (IMDB) is a 2010 British science fiction monster film written and directed by Gareth Edwards in his feature film directorial debut. Edwards also served as the cinematographer, production designer, and visual effects artist. Monsters takes place years after a NASA probe crash in Mexico which led to the sudden appearance of giant tentacled monsters. It follows Andrew Kaulder (Scoot McNairy), an American photojournalist tasked with escorting his employer’s daughter Samantha Wynden (Whitney Able) back to the US by crossing through Mexico’s “Infected Zone” where the creatures reside.

 Monsters: Dark Continent, a sequel, was released in the UK on 1 May 2015.

http://www.imdb.com/title/tt1935302/

0341 – Coherence (2013)

Coherence is an American science fiction thriller film directed by James Ward Byrkit in his directorial debut.

Byrkit came up with the idea for Coherence after deciding that he wanted to test the idea of shooting a film “without a crew and without a script”. He chose to shoot in his own home and developed the film’s science fiction aspect out of necessity, as he wanted to “make a living room feel bigger than just a living room”. While Byrkit did have a specific idea for how the film would unfold, he selected improvisational actors and gave them the basic outline of their characters, motivations, and major plot points. 

Byrkit told an interviewer, “For about a year, all I did was make charts and maps and drew diagrams of houses, arrows pointing where everyone was going, trying to keep track of different iterations. Months and months of tracking fractured realities, looking up what actual scientists believe about the nature of reality — Schrödinger’s cat and all that. It was research, but despite all the graphs and charts, I think our whole idea was that it has to be character-based. We want the logic of our internal rules to be sound, and we wanted it to be something people could watch 12 times and still discover a new layer.” (read more)

http://www.imdb.com/title/tt2866360/

0340 – Split Second (1992)

spacetime coordinates:  year 2008 flooded dystopian future London

Split Second is a 1992 American-British science fiction horror film  directed by Tony Maylam and Ian Sharp. Rutger Hauer stars as a burnt-out police detective obsessively hunting down the mysterious serial killer that killed his partner several years prior.

http://www.imdb.com/title/tt0105459/

0338 – Doomsday (2008)

spacetime coordinates: 2035 Glasgow // London

Doomsday is a 2008 science fiction action horror film written and directed by Neil Marshall. The film takes place in the future in Scotland, which has been quarantined because of a deadly virus.

When the virus is found in London, political leaders send a team led by Major Eden Sinclair (Rhona Mitra) to Scotland to find a possible cure. Sinclair’s team runs into two types of survivors: marauders and medieval knights. Doomsday was conceived by Marshall based on the idea of futuristic soldiers facing medieval knights.

The director intended Doomsday as a tribute to post-apocalyptic films from the 1970s and 1980s,  (Conception)

http://www.imdb.com/title/tt0483607/