Category: books
1000
52. ARCHAEOLOGY. … Wondrous religion … —antiquities are at once products of the future and of the distant past—Goethe contemplates Nature like an antiquity.
Notes for a Romantic Encyclopaedia: Das Allgemeine Brouillon / “Universal Notebook,”(pdf) – Novalis
990 – Chymical Wedding of Christian Rosenkreutz (1616 book)
“and you,” she went on, addressing me, “have received more than others, see that you also give more!”
The Chymical Wedding of Christian Rosenkreutz (German: Chymische Hochzeit Christiani Rosencreutz anno 1459) is a German book edited in 1616 in Strasbourg. Its anonymous authorship is attributed to Johann Valentin Andreae. The Chymical Wedding is often described as the third of the original manifestos of the mysterious “Fraternity of the Rose Cross” (Rosicrucians), although it is markedly different from the Fama Fraternitatis and Confessio Fraternitatis in style and in subject matter.
It is an allegoric romance (story) divided into Seven Days, or Seven Journeys, like Genesis, and recounts how Christian Rosenkreuz was invited to go to a wonderful castle full of miracles, in order to assist the Chymical Wedding of the king and the queen, that is, the husband and the bride.
This manifesto has been a source of inspiration for poets, alchemists (the word “chymical” is an old form of “chemical” and refers to alchemy—for which the ‘Sacred Marriage’ was the goal) and dreamers, through the force of its initiation ritual with processions of tests, purifications, death, resurrection, and ascension and also by its symbolism found since the beginning with the invitation to Rosenkreutz to assist this Royal Wedding. (read more: wiki)
Rosicrucian Trilogy: Modern Translations
Chemical Wedding of Christian Rosenkreutz [Audiobook]
The Chymical Wedding of Christian Rosenkreutz [English translation 1690 – pdf]
Esoteric Christianity and the Mission of Christian Rosenkreutz
The Mission of Christian Rosenkreutz
955 – The 13th Warrior (1999)
timespace coordinates: 922 A.D Kievan Rus’ > Scandinavia
The 13th Warrior is a 1999 American historical fiction action film based on Michael Crichton‘s novel Eaters of the Dead, which is a loose retelling of the tale of Beowulf combined with Ahmad ibn Fadlan‘s historical account of the Volga Vikings. It stars Antonio Banderas as Ahmad ibn Fadlan, as well as Diane Venora and Omar Sharif. It was directed by John McTiernan. Crichton directed some reshoots uncredited. (wiki)
“Atmospheric, great sets and costumes, but thin plot.” (rt)

Ibn Fadlān and the Land of Darkness: Arab Travellers in the Far North
926
[page 150, 151] Thus we see how these elemental beings are the intermediaries between the earth and the spirit-cosmos. We see the drama of the phosphorescent upsurge of the undines, which pass away in the sea of light and flame of the higher hierarchies as their sustenance; we see the upward flashing greenish-reddish lightning, which is breathed where the earth continually passes over into eternity, the eternal survival of the fire spirits, whose activity never ceases. For whereas, here on earth, birds tend to die at a particular time of year, the fire spirits make sure that what is to be seen of them pours out into the universe throughout the entire year. Thus the earth is as though cloaked in a mantle of fire. Seen from outside the earth appears fiery. But everything is brought about by beings who see the things of the earth quite differently from how man sees them. As already mentioned, man’s experience of the earth is of a hard substance on which he stands and walks about. For the gnomes it is a transparent globe, a hollow body. For the undines water is something in which they perceive the phosphorizing process, which they can take into themselves as living experience. Sylphs see in the astrality of the air, which emanates from dying birds, something that makes them into more actively flashing lightning than they would otherwise be, for in itself the lightning of these sylphs is dull and bluish. And then again the disintegration of butterfly existence is something which continually envelops the earth as though with a shell of fire. Beholding this, it seems as though the earth were surrounded by a wonderful fiery painting; and there to one side, when one looks upwards from the earth, one beholds these lightning flashes, these phosphorescent and evanescent undines. All this shows us that here on earth the elemental nature spirits move and work actively, striving upwards and passing away in the fiery mantle of the earth. In reality, however, they do not pass away, but they find their eternal existence by passing over into beings of the higher hierarchies.
Harmony of the Creative Word: The Human Being & the Elemental, Animal, Plant, and Mineral Kingdoms (CW 230) (Human Being and the Elemental, Animal, Plant and Mineral Kin)