animation, documentary, manga, Uncategorized

1177 – Fukushima: A Nuclear Story (2015 Documentary, News)

“A four-year long journey in the Fukushima Daiichi nuclear disaster and twofold tragedy that befell Japan in the March 2011, directed by Matteo Gagliardi, written by Christine Reinhold, Matteo Gagliardi e Pio d’Emilia.  (…) “Fukushima: A Nuclear Story” offers a completely original point of view on the tragedy, narrated by the actor Willem Dafoe in the English version.

MV5BNzMwNzE3Mzg1N15BMl5BanBnXkFtZTgwNDQ5ODIxNjE@._V1_SY1000_CR0,0,700,1000_AL_Christine Reinhold and Matteo Gagliardi combine different elements in the film: The story of a journalist, Pio d’Emilia, who refused to abandon his job even when the nuclear danger was at its greatest; the doubts and fears of man in the days following the threefold tragedy; the search for the truth regarding what really happened inside the Fukushima Daiichi plant. The former prime minister Naoto Kan, in a previously unreleased interview, will reveal how Tokyo, and probably the whole of Japan, avoided a much bigger tragedy thanks to sheer luck.

The director describes the tragic events using Manga Drawings, to make them more comprehensible to our perception (…)” – vimeo

imdb


see also https://timespacewarps.wordpress.com/2018/11/29/868-william-t-vollmann/

animation, movies, quotes, series, Uncategorized

1168 – Starship Troopers

timespace coordinates: the 23rd century,  Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /

Starship Troopers (1997)

MV5BNWExNzg3MmMtYjc3MS00MzFlLWJiOWQtNWYxZTgxNjhlZTQ2XkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Starship Troopers is a 1997 American satirical military science fiction action film directed by Paul Verhoeven and written by Edward Neumeier. It originally came from an unrelated script called Bug Hunt at Outpost Nine, but eventually licensed the name Starship Troopers from a science fiction novel by Robert A. Heinlein. The story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry, a futuristic military unit. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an insectoid species known as “Arachnids”.

(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascisticxenophobic, and propagandistic.  Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s BlackshirtsAlbert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”). 

In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!” 

(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)

imdb


Starship Troopers 2: Hero of the Federation (2004)

MV5BOWNiNzRlOWMtNzY2Yi00M2MzLWE0MGEtYzM0NmZhODk3NjUyXkEyXkFqcGdeQXVyNDc2NjEyMw@@._V1_Starship Troopers 2: Hero of the Federation is a 2004 military science-fiction action television film directed by Phil Tippett and starring Richard BurgiLawrence Monoson, and Colleen Porch. It is a sequel to Starship Troopers (1997) and the second installment of the Starship Troopers film series. (wiki)

Made for 5% of the cost of Starship Troopers (1997). (imdb)


Starship Troopers 3: Marauder (2008)

1146
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.

starship_troopers_3_marauder-813828742-largeStarship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)

starship-troopers-3-marauder_075730Joe Leydon of Variety stated:

“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”

imdb



Starship Troopers: Invasion (2012)

Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.

The film was followed by


Starship Troopers: Traitor of Mars (2017) 

imdb


Starship Troopers (video game) 

Starship Troopers: Terran Ascendancy 


Future

animation, movies, series, Uncategorized

1161 – Pokémon Detective Pikachu (2019)

timespace coordinates: the Pokémon universe,  Ryme City – a metropolis where humans and Pokémon live together as equals

Pokémon Detective Pikachu is a 2019 urban fantasy mystery film directed by Rob Letterman. Based on the Pokémon franchise created by Satoshi Tajiri and the 2016 video game Detective Pikachu, it was written by Letterman, Dan HernandezBenji Samit and Derek Connolly, from a story by Hernandez, Samit and Nicole Perlman. The film was produced by Legendary Pictures in association with Toho. It is the first live-action Pokemon film. Ryan Reynolds stars as the voice and facial motion capture of Pikachu, with Justice SmithKathryn NewtonSuki WaterhouseOmar ChaparroChris GeereKen Watanabe and Bill Nighy in live-action roles. (wiki)

imdb


The Pokémon universe is a fictional continuity construct that exists within the Pokémon media franchise, including stories and fictional works produced by The Pokémon CompanyNintendoGame Freak and Creatures, Inc. The concept of the Pokémon universe, in both the fictional works and the general nonfictional world of Pokémon, stems from the hobby of insect collecting, a popular pastime which Pokémon creator Satoshi Tajiri enjoyed as a child.  Players of the video games are designated as Pokémon Trainers, and the two general goals (in most Pokémon games) for such Trainers are: to complete the Pokédex by collecting all of the available Pokémon species found in the fictional region where that game takes place; and to train a team of powerful Pokémon to compete against teams owned by other Trainers, and eventually become the strongest Trainer: the Pokémon Master. These themes of collecting, training, and battling are present in almost every version of the Pokémon franchise, including the video game series, the anime series, the manga series, the film series, and the Pokémon Trading Card Game. (wiki)

animation, movies, Uncategorized

1154 – The Mask (1994)

timespace coordinates: 1990’s Edge City

The_Mask_poster

The Mask is a 1994 American superhero / screwball comedy directed by Charles Russell, produced by Bob Engelman, and written by Mike Werb, loosely based on the comic series of the same name published by Dark Horse Comics. The film stars Jim CarreyPeter GreeneAmy YasbeckPeter RiegertRichard JeniBen SteinJoely Fisher, and Cameron Diaz in her film debut.

It revolves around Stanley Ipkiss (Carrey), an unfortunate bank clerk who finds a magical mask that transforms him into a mischievous zoot-suited gangster.

The film was released on July 29, 1994, by New Line Cinema, becoming a critical and commercial success, grossing over $351 million over a $23 million budget. It cemented Carrey’s reputation as a dominant actor of the 1990s, and established Diaz long-term as a leading lady. (wiki)

imdb

animation, series

1149 – LOVE DEATH + ROBOTS (TV series 2019– )

Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix.  The 18-episode first season was released on March 15, 2019. The series is produced by Joshua DonenDavid Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal. 

MV5BMTc1MjIyNDI3Nl5BMl5BanBnXkFtZTgwMjQ1OTI0NzM@._V1_

The cast includes Mary Elizabeth WinsteadTopher GraceGary ColeSamira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.

In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users.  (*four unique episode orders, released to users at random.) (wiki)

imdb

animation

1145 – ParaNorman (2012)

timespace coordinates: 1710s – 2012 small town of Blithe Hollow, Massachusetts

ParaNorman is a 2012 American stop-motion animated dark fantasy comedy horror film, produced by Laika and distributed by Focus Features. Directed by Sam Fell and Chris Butler, from a screenplay by Butler, it stars the voices of Kodi Smit-McPheeTucker AlbrizziAnna KendrickCasey AffleckChristopher Mintz-PlasseLeslie MannJeff GarlinElaine StritchBernard HillJodelle FerlandTempestt BledsoeAlex Borstein and John Goodman.

It is the first stop-motion film to use a 3D color printer to create character faces, and only the second to be shot in 3D. In the film, Norman, a young boy who can communicate with ghosts, is given the task of ending a 300 year-old witch’s curse on his Massachusetts town, despite being grounded by his father. (wiki)

imdb

animation, music, Uncategorized

1108

Sepultura – Arise [OFFICIAL VIDEO]



Helloween “-Walls Of Jericho” full album   /   judas   /   guardians


Obituary – The End Complete


Megadeth – Train of Consequences


Paradise Lost – Shades Of God (Full Album)


1495962132_cover

Holy War

The Crown and the Ring / Kingdom Come

Mountains

Guyana (Cult Of The Damned)


“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:

Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers