movies, quotes

0280 – A Sound of Thunder (2005)

spacetime coordinates:  Chicago, 2055 > the cretaceous

A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward BurnsCatherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.

http://www.imdb.com/title/tt0318081/

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a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions.

sound-of-thunder-ec-comics-1

the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)

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geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.

sound of thunder

as one might expect, it’s a chronoclysm waiting to happen. all the clients of  Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion.

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there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)

stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth

movies

279 – Jungle (2017)

spacetime coordinates:  1981 expedition into the uncharted Amazon in Bolivia //  Tuichi River

Jungle is a 2017 Australian adventure/ psychological thriller film directed by Greg McLean and written by Justin Monjo. The film is based on Yossi Ghinsberg‘s nonfiction novel Jungle: A Harrowing True Story of Survival. Jungle follows the three weeks that Ghinsberg spent in the Bolivian jungle without any supplies or help. 

http://www.imdb.com/title/tt3758172/

movies

0278 – Mongol (2007)

spacetime coordinates: 1172 – 1206  Mongolia

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Mongol (Монгол), also known as Mongol: The Rise of Genghis Khan  is a 2007 Russian semi-historical epic film directed by Sergei Bodrov, about the early life of Temüjin (inspired by The Secret History of the Mongols), who later came to be known as Genghis Khan. The storyline was conceived from a screenplay written by Bodrov and Arif Aliev. It was produced by Bodrov, Sergei Selyanov and Anton Melnik and stars Tadanobu AsanoSun Honglei and Chuluuny Khulan in the main roles. Mongol explores abduction, kinship and the repercussions of war.

The film was a co-production between companies in Russia, Germany and Kazakhstan, intended to be the first part of a trilogy about Genghis Khan. (Sequel)

mongol-movie-poster-genghis-khan

http://www.imdb.com/title/tt0416044/

movies

0276 – Pain & Gain (2013)

spacetime coordinates: 1994 – 1995  Miami, Florida

Pain-Gain-Official-UK-Poster

Pain & Gain is a 2013 American dark comedy crime film directed by Michael Bay and starring Mark WahlbergDwayne Johnson, and Anthony Mackie. The film reunites wrestlers Dwayne Johnson and Kurt Angle. The film is loosely based on a story Pete Collins published in a 1999 series of Miami New Times articles and compiled in the book Pain & Gain: This Is a True Story (2013), which details the kidnapping, extortion, torture, and murder of several victims by an organized group of criminals comprising bodybuilders affiliated with the Sun Gym. The film’s title is a play on the common adage, frequently used in fitness: “No pain, no gain“.

Comparisons between the film and actual events

http://www.imdb.com/title/tt1980209/

https://film.avclub.com/with-pain-gain-michael-bay-tackled-the-big-dumb-ame-1798246007

movies

0275 – The Beguiled (2017)

spacetime coordinates: 1864 – a girls school in Virginia during the American Civil War

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The Beguiled is a 2017 American drama film written and directed by Sofia Coppola, based on the novel of the same name (originally published as A Painted Devil) by Thomas P. Cullinan. It stars Colin FarrellNicole KidmanKirsten Dunst and Elle Fanning. A film of the same name, also based on Cullinan’s book, was released in 1971.

http://www.imdb.com/title/tt5592248/

movies

0274 – It Follows (2014)

spacetime coordinates: 2010s Detroit

it follows poster

It Follows is a 2014 American supernatural teen horror film written and directed by David Robert Mitchell. It stars Maika MonroeKeir GilchristDaniel ZovattoJake WearyOlivia Luccardi, and Lili Sepe.  The plot follows a teenage girl, Jay, who is pursued by a supernatural entity after a sexual encounter.

The film’s monster, shot composition, and overall aesthetic were influenced by the work of contemporary photographer Gregory Crewdson. Director of photography Mike Gioulakis said: “We’re both big fans of the still photographer Gregory Crewdson and David had him in his look book from day one. [Crewdson’s] photographs have the same kind of surreal suburban imagery that we wanted for It Follows.”

http://www.imdb.com/title/tt3235888/

https://en.wikipedia.org/wiki/It_Follows