In the dense forests of South Asia, a native African tribe has been living in quiet obscurity for more than 500 years.
Author: pnea
636
The Garden of Emoji Delights by carla gannis
“The current speed of technological advancements suggest biological organisms and the environment are irrevocably changing. In light of this, it is fascinating to discover how easily the visual vernacular of our day aligns with the symbology of a prescient artist from 500 years ago. The Garden of Earthly Delights, Hieronymus Bosch’s most ambitious work, embodies the conflicts, humor, darkness and absurdity of human, earthly and cosmological conditions.
In The Garden of Emoji Delights, one intention of my transcription was to mash up popular historic and contemporary sign systems, and to diversify and expand the Emoji lexicon through this process. Emoji are a contemporary glyph system which offer an emotional shorthand for virtual expression. The pleasurable stylizations are ubiquitous worldwide and across generations. Translating iconography of an earlier era using Emoji seems to makes perfect “nonsense/sense” to me.”
0635 – Gold /Oro (2017)
spacetime coordinates: Amazon rainforest, West Indies 1538

Amazon rainforest, 1538. Charles V, Holy Roman Emperor sends a group of Spanish soldiers to the new continent to locate Teziutlan, a legendary city created with gold, to claim it to the Spanish Empire.
0634 – Anonymous (2011)
spacetime coordinates: 16th – early 17th century London

Anonymous is a 2011 political thriller film directed by Roland Emmerich and written by John Orloff. The film is a version of the life of Edward de Vere, 17th Earl of Oxford, an Elizabethan courtier, playwright, poet and patron of the arts, and suggests he was the actual author of William Shakespeare‘s plays. It stars Rhys Ifans as de Vere and Vanessa Redgrave as Queen Elizabeth I of England. The effects crew “took 30,000 pictures in England, of every Tudor building they could find, and then they scanned them all into the computer and built real London in 1600.” (wiki)
The film was a box office flop and received mixed reviews, with critics praising its performances and visual achievements, but criticizing the film’s time-jumping format, factual errors, and the filmmakers’ promotion of the Oxfordian theory of Shakespeare authorship. (read more: controversy) imdb
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William Shakespeare – Notes of a Lecture given
by Dr. Rudolf Steiner (On-line here)
0633 – Michiel de Ruyter / Admiral (2015)
spacetime coordinates: 1650s – 1670s Dutch Empire – British Empire


Michiel de Ruyter (Dutch pronunciation: [miˈxil də ˈrœy̯tər]) is a 2015 epic Dutch film about the 17th-century admiral Michiel de Ruyter directed by Roel Reiné. Paintings from the 17th century served as an inspiration for the design. In the beginning of the movie, when Klaartje the family maid pours milk, it is almost an exact replica of the famous painting ‘The Milkmaid’ by Johannes Vermeer.
Prior to its release, several protest groups had accused the film of glorifying the colonial history of the Netherlands. References to colonialism in the film are however almost absent. The film makes a minor reference to the Dutch East India Company, which contributed highly to the welfare in the 17th century in the low countries, and to the trading vessels which were protected by the navy under Michiel de Ruyter. The film’s main subjects — apart from Michiel de Ruyter himself — are the internal politics of the country, including the brutal murder of Johan de Witt and the complicated relationship with England, up to the engagement of the Dutch prince of Orange with Mary II. (wiki)
0632 – Journey’s End (2017)
spacetime coordinates: 1918 – dugout in Aisne, northern France

Journey’s End is a British film adaptation of the play Journey’s End by R. C. Sherriff. Written by Simon Reade and directed by Saul Dibb, it is the fifth film adaptation of the play, following Journey’s End (1930), The Other Side (1931), Aces High(1976), and a 1988 BBC TV film.
0631 – Painting the Modern Garden: Monet to Matisse (2016)

From the exhibition walls to the wonder and beauty of artists’ gardens like Giverny and Seebüll, the film takes a magical and widely travelled journey to discover how different contemporaries of Monet built and cultivated modern gardens to explore expressive motifs, abstract colour, decorative design and utopian ideas. Guided by passionate curators, artists and garden enthusiasts, this remarkable collection of Impressionists, Post-Impressionists, and avant-garde artists of the early twentieth century will reveal the rise of the modern garden in popular culture and the public’s enduring fascination with gardens today. Long considered spaces for expressing colour, light and atmosphere, the garden has occupied the creative minds of some of the worlds greatest artists. As Monet said, ‘Apart from painting and gardening, I’m no good at anything’. (exhibitiononscreen)
