books

1690 – X-Risk: How Humanity Discovered Its Own Extinction by Thomas Moynihan (2020 book)


Forthcoming book with MIT Press & Urbanomic. Buy here.

more texts by Thomas Moynihan

Goodreads

I got a free copy of this book for an honest review. I already had the occasion to read a few related articles and essays by Thomas Moynihan in sumrevija.si and Palladium Mag. This review expands on those early first observations. Only later have I found out how they fit into a book of a much grander scope.

Its purpose is none other than redefining modernity and even reason as reason to ensure that thinking will not cease to exist in the future. All this in the light of something that has never before dawned on human minds: that the universe can well do without those very minds. One risks being overlooked when arriving on the crest of such an expanding body of collapse studies or end of the world as “growth industry”(Claire Colebrook), with scientists moving the Doomsday Clock closer to Midnight and ongoing “slow violence”(Rob Nixon) of 6th mass extinction blending into nearly omnipresent barrage of media apocalypticism. Yet, I believe X-Risk cuts like no other trough all of the recent secular/post-secular eschatological confusions, separating the threat of exterminism from prepper talk. Once and for all witnessing the end of one’s (or another’s) world is not the same as experiencing extinction nor is it establishing a presumptive final date of expiration. Thomas Moynihan’s book should be able to dispel all the lingering hesitation about what Big Filters to chose from (take ur pick from gray goo nano planetary meltdown to superintelligent AIs using our entire biomass as computronium fodder) by inviting us to step down from the giants upon whose shoulders we supposedly stand, and get a frisson as they succumb to ‘infinitarian paralysis’ (Nick Bostrom quoted by TM) and kamikaze theories about biospheres and entire worlds that keep on bursting like soda bubbles.

“The 1755 Lisbon Earthquake. Engraving by James Macaulay, 1880”

Clearly this book was written by someone who enjoys collecting all these ruinous and delightfully abhorrent mental cataclysms, a necessary feat at the very moment when we might desperately cling to old certitudes in the throes of apocalyptic theology, in spite of the daily facts that remind us that we’ve jumped off the cliff a while ago. Here comes a 21st c historical perspective on the long XX century of dreaming up wild galactic-scale visions about the present via the far future and across cosmic silences, not ignoring both the divergences and the ongoing dialogue btw Mutually Assured Destructive partners, a worthwhile recuperative effort especially in light of recent New Cold War fears.

“Design for a space habitat by Tsiolkosky”

With a strong impetus from the cosmist undercurrent (what Zizek used to call the “biocosmist heresy”) the Former East or ex-Soviet Bloc futurological contributions from ‘actually existing socialism’ that previously got short writ, astronomers Nikolai Kardashev and Iosif Shklovsky finally get their due. I don’t want to give the false impression this book is just a collection of daring visions and whimsical cosmological fallacies – it accomplishes the prodigious feat of channeling all these disparate resources about endangered futures trough the lens of rapidly expanding (since ~mid 90s explosion) astrobiological (or xenobiological as it was called) exoplanetary knowledge. The conceptual break criss-crossing a historical (diachronic) backdrop rich in brazen technological solutions and initial responses to ever more darkly looming existential threats – takes us to precedents and first inklings of the idea that there might be something deeply wrong with entrusting the universe the mission to bring us back once we disappear. While examplflifying this novelty, X-Risk nevertheless eagerly recognizes the pioneering work of Milan M. Ćirković, Toby Ord, Anders Sandberg, Nick Bostrom and Sir Martin Rees that contributed to the establishment of a new academic discipline. At the same time, there is so much more to be said about a wider search of Non-Western forecasting institutions and X-Risks mediation with examples from the Global South let’s say, or Chinese Society for Futures Studies (CSFS) established in 1979 China with the role of  “to serve the long-term planning and the modernization construction of the country, and to serve the progress of mankind.”  or 1970s Romania’s Laboratory for Prospective Research (later CIMSVD Institute) and their Tofflerian romances.

Numerous mini chapters with memorable titles like “Bubbles of Cosmic Nonchalance”, “Eternalism and Its Discontents”, “Worst of All Possible Worlds”, “Tadpole Hedonists and Fatal Flower-Arrangers”, “Shitting on the Morning Star or the Uses and Abuses of History” remind me that we should cherish all the thinkers that know how to tickle the hyper-modulated nerve of maximally distracted 21st reading. Clearly one of the best ways to do it – is to zoom-in on hopelessly (till now) and shamefully lost metaphysical constructions (Stanislaw Lem once called upon the singular powers of Sci-Fi to peddle such disreputable – but oh so intriguing metaphysical beasts). X-Risk is full with the decadent splendor of abstruse, smothered in their cradle natural philosophies, full of enormities with blusterous cosmic (and comic) reach.

“Henry de la Beche’s lampooning of Lyell’s resurrecting necrofauna, entitled ‘Awful Changes’, drawn in 1830”

Adjoining are excellent B&W images peppering the text from a draft of dela Beche ‘Awful Changes’ with Professor Icthyosaurus lecturing the necrofauna, woodcuts of Tambora’s eruption provoking the Year Without a Summer and unwittingly creating the perfect conditions for Mary Shelley to write Frankenstein; or, The Modern Prometheus at Diodati Villa on the shores of Lake Geneva, including some well-chosen portraits of Eduard von Hartmann (“looking omnicidal”) and F.W.J. Schelling (“in his old age and cosmic wisdom”) or biologist Oka Asajirō (“considering omnicidal degeneration, decadence, and debauchery”).

“Bernard de Fontenelle’s cosmic theatre of throning plenitudes, 1686”

Whatever we might still think about giants of Continental philosophy (with either waning extinctionist credentials or pretty shaky perennialist positions), their Appetite For Destruction seems to have been fed by a very tenacious metaphysical Principle – the undead Principle of Plenitude. Years ago i read a fresh Romanian translation of The Great Chain of Being: Study of an Idea (1936) by Arthur Oncken Lovejoy, where the Principle of Plenitude gets ample exposition.

1579 drawing of the Great Chain of Being from Didacus Valades, Rhetorica Christiana

This and Alexandre Koyre’s From the Closed World to the Infinite Universe (1957) potentially changed our understanding of how such cosmic modelling and reordering got us to where we are now. The Great Chain of Being is one of those books that will never let any figureheads of Scientific, Literary and Philosophical canon rest in peace. It unwinds the living history of Scala Naturae, patiently uncovering the seams that bound innumerable taxonomical schemes almost till Linnaeus or Darwin & Wallace, the glue that kept everything in place in grand preordained hierarchies.

“Eduard von Hartmann (1842-1906), looking omnicidal”

X-Risk newness consist in striking a definitive last blow at this chain constricting the way Life on Earth and the supralunar realms were imagined under the grip of Plenitude, finally to be ruined after the idea of extinction had sunk in. X-Risk widens the non sequiturs and gaps of the eternalist principle of Plentitude, or the endurance of value in a universe that appeared biased in our favor (take ur pick: Weak or Strong Anthropic Principle) as much part of philosophical and theological clusters as for Leibniz’s theodicy, under-girding his whole “best of the best worlds” on the same inherent overestimation and smugness about ultimate default safety nets. One may wonder if – Schumpeter’s gale – schöpferische Zerstörung or creative destruction that animates capitalism blows hard on the same wind of teleologic justification for destruction and ensuing cosmic renewal that made J. G. Fichte remark “All death in nature is birth, and precisely in dying does the augmentation of life visibly appear”(The Vocation of Man – quoted by T Moynihan).

“F. W. J. Schelling, in his old age and cosmic wisdom”

While Whitehead is not present in any visible way, I somehow felt his mathematical approach to philosophical aporias useful in this altogether different context. In the unsuspecting way he discovers an age-old problem while rotating certitudes around almost like a Rubik cube, unceremoniously fitting parts that have been kept apart since ages, lightly addressing hampering axioms that constrain all subsequent chains of reasoning or their given solutions, restricting all flights of speculative endeavor. He does not try to eliminate or weed out the audacious brambles and thickets of reason. X-Risk also finds immense scope in detailing and following up on all the consequences of setting these finitudes free, in order to establishing what grounding beliefs subtend and unite all thinkers, no matter their school, language, methods or their particular apocalyptic flavor. What Thomas Moynihan in both rich detail and systematic search brings forth example after illuminating and frankly hilarious example from the most quirky, whimsical to the brightest of feverish minds – is their nearly complete naivete in regard to humanity’s cosmic no-rerun show. Up to a certain point, nobody seems to get that once they are out they are out. It is really gloriously and darkly funny to try and go back to the Encyclopedistes, or to the most pre-critical Philosophers as well as later SETI searches for humanoid aliens and see why so much of this intellectual bravado went so wonderfully askew. Only Marquis de Sade stands apace – but here he is on its own in many ways as he actively promotes extinction. This might also partially explain why reactions to the actual disappearance of the Dodo species (and others) in Mauritius or why Dodo-populated planets seemed possible to Bernard de Fontenelle (in retrospect), or why the dramatic realization of ultimate extinction came so late (possible clue: the Plurality of World aka Multiverse – Many Worlds theory sadly also fails the sensitivity-to-extinction litmus test).

“William Parsons, 3rd Earl of Rosse, engraving of the Orion Nebula, as described by De Quincey. You can almost make out the skull De Quincey imagined the nebula forming. From An Account of the Obesrvations of the Great Nebula in Orion, Made at Birr Castle, with the 3-Feet and 6-Feet Telescopes, between 1848 and 1867, WIth a Drawing of the Nebula, 1868.”

This brings me to a possible consequence of this book imho – the way it counters the sort of abundance craze – Plenitude – as an expression of ontological excess, an ontology that seems to stumble on examples of non-experience or absence, or tends to avoid what might be called the wasteland of missing ‘windows of opportunity’ or singular encounters. An unrecognized dearth that might isolate such abundance on ‘lucky’ rafts drifting the void of space or forever lost in the gulfs between ‘island universes’. In some way Plenitude tangles as well with Cornucopian versions of ecological or eco-critical thinking. A cornucopian might have the same obliviousness to man-made disasters or to how everything runs its course if left alone (ex: neo-Malthusian COVID herd immunity or man-made conflicts that seem to help nature replenish itself). Thus, the faltering and lazy logic of non-interventionism runs amok and abstains specifically when worst comes to worst. What seems to be an increasingly growing problem of our times, not only disarray and suspicion about what is to be done, is a retreat from directed collective action coupled with nonchalant stand-back attitude. One cannot fully abandon excess – since austerity seems to be allied with the worst of capitalism nowadays, imposing all manners of punishing restrictions and well-targeted scarcity on those who anyway feel the brunt of a very bad deal. Technological post-scaricity Pays de Cockaygne’s is far indeed almost because it felt possible to the most prosperous and wasteful boomer generation, children of plenty and man-made extinction (mostly atomic) fears. It is easy to trumpet austerity on a planet where waste-disposal is being rerouted to second or third world and efficiency has become ever pressing and depressing. Before recognizing extinction as a fact of history and evolution, past or future, as this baroque abundance of literary, scientific and philosophical examples makes clear, it became a sheer impossibility to see something else besides basically bursting, agglomerated, populous celestial spheres.

Emblem XLII by Michael Maier woodcut from Atalanta Fugiens, Frankfurt 1618.

If this cornucopian view of ‘nature’ (here terrestrial thus inclusive of humans) where all new continents and all worlds & all planets are as full as the old rivers, fields or standing forests becomes a thing of the past, even at fault for being completely exploitative, genocidal and predatory, what lies at the other end? Future Orchidelirium might not be such a bad habit after all, only and only if it does not become a botanical hunter’s dream bioprospecting after the rare and valued. Otherwise ‘Herschel’s Garden’ might resemble the good old lawns. Embracing full artificiality and artistry we might still learn from pop cultural ET galactic horticulturalists as Ralo Mayer already explored in his E.T.E. Extra-Terrestrial Ecologies performance lecture. With the waning of plentiful plenitude and strategically retreating from it, even if unaffected by extinction ideas and the radical realization of irreversible disappearance – extreme environments and desert communities where the anorganic was abundant (sun and sand in the excess) also birthed say Dune’s Frementhe Albertian Order of St. Leibowitz, crypto-communist Essenes or mothers of the desert or fathers of the wasteland in the Eastern cenobitic tradition (with whom at least presumably we could exchange apocalyptic or messianic pleasantries) could help along by entertaining ideas of infertility, of absence, of no return and a growing emptiness that resonates far better with the vast expanse of suddenly available exoplanetary (external ‘nature’ unaffected by humans) desolation.

A clearly applied and directed Pessimism is essential nowadays for any collective, distributed & planned action to take place. Scientifically grounded 21st c Pessimism has somehow remade itself and at the same time remade the entire cannon of Western thought by emboldening us to abandon all complacent thoughts about unswerving teleology insuring reserved-seats for the human species in this universe, while never abandoning the need to secure its further existence. The mind- argument, the rarity and preservation of so-called “sophonts”, of reason endowed entities as threatened species in a mindless (or valueless) universe is one of the strongest arguments of why we should try and change course and think about securing the chance of future generations to exist and prosper (X-Risk being a staunch supporter of Enlightenment values and universality if fragility of reason). Panpsychism or cosmopsychism etc as understood and popularized noways (by Philip Goff for one in his Galileo’s Error: Foundations for a New Science of Consciousnesses 2019) elaborates on a parallel history of “what matter is in contrast to what it does” – an alternative entertained by Bertrand Russell and Arthur Eddington, arriving at quite opposite conclusions to extinction thinking from what I gather. I am on very thin ice here – but I wonder how consciousnesses and experience as the medium of reality itself squares out with extinctionism at this very precise historical juncture. As such, any extended, immanent non-human consciousnesses inherent at completely different scales (gradients, levels, degrees, substrates of organization etc) – might be also confronted with this ultimate task i.e. having to probe its foreseeable disappearance and thinning out further ahead.

After reading X-Risk, one may finally breathe again relieved because one is not left to suck in another of the private an frankly boring musings and philanthropic escape plans of company founders attending to their favorite Sci-Fi fears (Superintelligences transforming everyone into Paperclips etc), that seem to ignore and completely circumvent the bountiful historical examples of past and present – of extinctions that go on without a bang, of non-spectacular threats no less important to human and more-than-human existence here on planet Earth (divestment from fossil fuels or the present retreat from long-term planning in spite of Green New Deal and Extinction Rebellion).

games

1688 – The Eternal Castle [REMASTERED] (2019 game)

Space-time coordinates: The year is 2XXX.

You are a lone soldier who was sent back to Earth to get back into space a corrupted A.I. during a post A.I. fallout. During the journey, you lose 4 GLIDERS during an air attack and crash the ship. The only hope is to get back the ship parts, fly to the Castle, where the mother A.I. locked herself to seek protection from the corrupted humans, and send her back to space. Throughout ancient ruins, battlefields, and desolated laboratories, your only hope is to move forward with determination to bring her back home.

The complete game is composed by 4 worlds plus THE ETERNAL CASTLE: WILDERNESS(INTRO), ANCIENT RUINS, FORGOTTEN CITY, TECH LAB. Each world will have 4 levels, each world has a different kind of gameplay, leading up to a final boss. Each level will be composed into 3 main consistent sections (INTRO, MIDDLE, ENDING), and a variety of procedurally generated modules in between those sections. Every time the game is played, the audio-visual experience will vary, but the atmosphere and the story will remain consistent.

http://www.theeternalcastle.net/

steam

books

1676 – The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction (2016 book)

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies.

Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre.

The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction. (Goodreads)

Figure I.9. A Frank R. Paul caricature of The Electrical Experimenter newsroom from the April 1920 issue.

Figure I.13. Frank R. Paul’s original illustration of a logo for scientifiction, based on suggestions by readers A. A. Kaufman of Brooklyn, New York, Clarence Beck of West Bend, Wisconsin, and A. J. Jacobson of Duluth, Minnesota. Courtesy, Collection of Jim and Felicia Kreuzer, Grand Island, New York.

Figure I.10. Fifteen-year-old Kathleen Parkin, San Rafael, California, and the wireless set she constructed depicted in cover art by George Wall.

Basically this whole delightful book with incredible illustrations (like those by Frank R Paul’s of Amazing Stories glory see above) about the medium & milieu in which early ham, wirless, tekkie, Sci-Fi communities coalesced and mingled is all available to read online here.

books

1675 – The Time of Money by Lisa Adkins (2018 book)

Speculation is often associated with financial practices, but The Time of Money makes the case that it not be restricted to the financial sphere. It argues that the expansion of finance has created a distinctive social world, one that demands a speculative stance toward life in general.

Replacing a logic of extraction, speculation changes our relationship to time and organizes our social worlds to maximize the productive capacities of populations around flows of money for finance capital.

Speculative practices have become a matter of survival, and defining features of our age are hardwired to their operations—stagnant wages, indebtedness, the centrality of women’s earnings to the household, workfarism, and more. Examining five features of our contemporary economy, Lisa Adkins reveals the operations of this speculative rationality. Moving beyond claims that indebtedness is intrinsic to contemporary life and vague declarations that the social world has become financialized, Adkins delivers a precise examination of the relation between finance and society, one that is rich in empirical and analytical detail.

Read Excerpt: Money on the move (Chapter 1)

books, theory

1674 – Good Enough: The Tolerance for Mediocrity in Nature and Society by Daniel S Milo (2019 book)

In this spirited and irreverent critique of Darwin’s long hold over our imagination, a distinguished philosopher of science makes the case that, in culture as well as nature, not only the fittest survive: the world is full of the “good enough” that persist too.

Why is the genome of a salamander forty times larger than that of a human? Why does the avocado tree produce a million flowers and only a hundred fruits? Why, in short, is there so much waste in nature? In this lively and wide-ranging meditation on the curious accidents and unexpected detours on the path of life, Daniel Milo argues that we ask these questions because we’ve embraced a faulty conception of how evolution–and human society–really works.

Good Enough offers a vigorous critique of the quasi-monopoly that Darwin’s concept of natural selection has on our idea of the natural world. Darwinism excels in accounting for the evolution of traits, but it does not explain their excess in size and number. Many traits far exceed the optimal configuration to do the job, and yet the maintenance of this extra baggage does not prevent species from thriving for millions of years. Milo aims to give the messy side of nature its due–to stand up for the wasteful and inefficient organisms that nevertheless survive and multiply.

But he does not stop at the border between evolutionary theory and its social consequences. He argues provocatively that the theory of evolution through natural selection has acquired the trappings of an ethical system. Optimization, competitiveness, and innovation have become the watchwords of Western societies, yet their role in human lives–as in the rest of nature–is dangerously overrated. Imperfection is not just good enough: it may at times be essential to survival. 

Read Excerpt: Natural Selection Can’t Explain This Bugs Bizzare Horn

books

1672 – Islam, Science Fiction and Extraterrestrial Life: The Culture of Astrobiology in the Muslim World by Jörg Matthias Determann (2020 book)

The Muslim world is not commonly associated with science fiction. Religion and repression have often been blamed for a perceived lack of creativity, imagination and future-oriented thought. However, even the most authoritarian Muslim-majority countries have produced highly imaginative accounts on one of the frontiers of knowledge: astrobiology, or the study of life in the universe.

This book argues that the Islamic tradition has been generally supportive of conceptions of extra-terrestrial life, and in this engaging account, Jörg Matthias Determann provides a survey of Arabic, Bengali, Malay, Persian, Turkish, and Urdu texts and films, to show how scientists and artists in and from Muslim-majority countries have been at the forefront of the exciting search. Determann takes us to little-known dimensions of Muslim culture and religion, such as wildly popular adaptations of Star Wars and mysterious movements centred on UFOs. Repression is shown to have helped science fiction more than hurt it, with censorship encouraging authors to disguise criticism of contemporary politics by setting plots in future times and on distant planets. The book will be insightful for anyone looking to explore the science, culture and politics of the Muslim world and asks what the discovery of extra-terrestrial life would mean for one of the greatest faiths.

goodreads

Jörg Matthias Determann TW / academia.edu

animation

1664 – PRIMAL (2019 -)

timespace coordinates: some anachronistic dimension where primitive humans (late comers of evolution) share the world with many kinds of extinct dinosaurs from all epochs and geological eras.

Primal is a TV series about a prehistoric caveman hero (Spear) and his partner in carnage – a dinosaur Tyrannosaurus (Fang). It is created and directed by Genndy Tartakovsky for Adult Swim.

Primal has been hailed as both incredibly bloody, gory and majestic and epic paleontology at one draw. Although most of the references were to the heroic fantasy of R. E. Howard’s Conan the Barbarian and King Kull – I would delve more into European paleo- fiction, in particular the stories of French contemporary of Jules Verne J.-H. Rosny aîné (more on him below).

Gennady T. known for Samurai Jack and Dexter’s Lab. At first sight Primal is just the embodiment of the ‘man the hunter’ thesis (the pitiless Darwinist or Huxleyan struggle – ‘nature red in tooth and claw’ associated mostly with 19th c social darwinism and expansive imperialism justifying its own brutal annihilation of native populations), while with each episode it teaches about tender inter-species cooperation within the most unlikely human-dinosaur partnerships. Eschewing the usual in grou/out group primary divisions, Primal is one of the most egalitarian partnership in both animation and cinema. Compared to Primal – Dinotopia comes out as exploitative, relegating dinosaurs into a sort of syndicate or a non-human animal working labor pool (except for the thinking scientific writing dino elites), it still seems to reproduces a sort of colonialist classist speeieism but with an industrial bent. Primal is about friendship at the end of the world – between two impossible friends, that always contribute mutualistically while retaing their specific skills, two endangered members of their species. The dinosaur is not exactly a dog companion species (how could it?) and is always quite independent of its human partner.

Primal is silent – or not really, it is full or bubbling rage, of flight, of communal sleep, of smiles, of fury, of grunts, gutturals, cuddling and the background of the forest, lake or jungle. It is non-verbal which gives it even more thrust. The animation is fluid, wonderful – really transforming the dinosaurs into some of the most naturalistic depictions of extinct species anywhere. The non-3D somehow adds to that – its full colors and strong contrasts swim in a landscape of degrade hues, of gradients that announce immense vistas, swaths of land that have seem impossible to map out, to scan. Both Spear and Fang are united by a strange fate – they are strange kin like Haraway intended it, although completely an impossible meet-up, a temporally and evolutionary impossibility.

There are many living fossils on Earth but dinosaurs are none of those. Both are somehow matched, and their stories match as well, both have been losing their most precious kin to meaner, bigger and more voracious species roaming their world. Out of necessity, out of similarity, their bond is incredible and seems to grow with each episode. It a total splatterfest – as well as touching, every bit desperate and always managing to more or less make it barely alive out of their trials. Although several lineages of humans went extinct (so no Yeti or Bigfoot I am really sorry) and our current direct ancestors were nearly wiped out nearly 70.000 years ago (as per Toba catastrophe theory), we mostly associate extinction fears with the modern era – especially the nuclear doomsday clock threat or geologically with a singular event (KT impact boundary).

There has been rarely such unrepentant and gratuitous violence in animation (and I am choosing my words here), and still there is no other way to basically write history – paleo history and animation history, to keep the speeds and cuts at an ideal pace, to push, ramp the tension the max.

Sometimes the violence is hidden, it is almost as if we stumble on a crime scene – where the culprit is nowhere to be found, almost like an evolutionary detective story where we always dread and yearn to glimpse the raw answer. Although graphic in its violence – the savage world of Spear and Fang is still mysterious, with only brief and harsh encounters that make you yearn for more. But even if this brutality – is almost elemental, there are forces at work that ensure some brief but welcome moments of fishing and even camp fires. We have never been modern – well yes, this modernity traces its scars, does not hail the noble savage but the slaughterhouse of evolution, of hunter-gathers always being under extinction threat from much larger, much more organized and destructive civilizational (or colonial or imperial) intrusions. The current paleo- lifestyles seems to deny this feeding frenzy, being built upon an exclusive and elusive pleasure of raw flesh in a vegan- oriented world, or a type of rawness that lacks any pretense of cosmetic intervention, animal rights activism as if indulging in a form of voluntary cannibalism.

To push it – Primal may be the way the brutality of the outside (also in geological terms), its volcanic hadean and protean spirit has been bursting, erupting into a primeval fantasy of the PALEO. The lifestyle PALEO – element is today represented by ‘paleo-muesli’ products in supermarkets, a notch above your average bio-food, an addition of invented rawness that also seems to appeal to the perceived lack of ‘untamed wildness’ as well as the white male survivalist renewal of ‘lost’ hairy manliness. Today’s riot police violence (not at all PRIMAL but seemingly directed and targeted) is doubled by a more structural strain of violence and neglect that is non spectacular, slow and almost interminable, a suffocating death that never comes easy no matter what the state of indignity, misery and decrepitude of propped-up carbon ideologies. There is a disconnect btw what we see on screen where everything is evident and brief. There is no pity for most of the creatures and other lifeforms and they in turn might not find any pity on the protagonists – but we can never have time to find out. In comparison with previous savage heroes and heroines – Primal is really not worried about the non-ideal type of body (according to Cro-Magnon standards or latest fitness fads) being able to discover in the midst of carnage – all sorts of grim and touching thoughts and fine sentiments arising out of the most brutalized heads.

A note on Rosny

To be honest Rosny is entirely my own attribution, in my knowledge none of the producers or animatiors mentioned him. Rosny is not only one of the pioneers of the Sci-Fi genre (and of an entire different breath than Verne I would add), but also of dawn of time speculative fiction. He ranks second after J Verne in French Sci-fi but his more conceptually oriented works are unique and highly original. His 1887 short story  Les Xipéhuz pits primitive humans against extraterrestrial inorganic alien beings – most probably the first time Sci-Fi left behind the boringly anthropomorphic forms and earthly metabolism for something completely different. Would be interesting to find out if Rosny was somehow haunted by the same spectre of various genocides committed against indigenous populations considered “primitive” or “lacking reason” or “inferior” others by the Europeans – such as was the case with H G Wells War of the Worlds based on the Australian and British destruction of the Tasmanian peoples. The illustration work by Frank R. Paul appeared on the cover of the first issue (April 1926) of Amazing Stories magazine, the first magazine dedicated to science fiction. He would paint all the covers for over three years. John Rieder’s Colonialism and the Emergence of Science Fiction argues forcefully that interplanetary invasion narratives from the pulp 20s and 30s age in Golden sci-fi period (preceded by a plethora of dime novels and penny dreadfulls) perfectly mirror colonial encounters who branded those that dared oppose as ‘backward’ or ‘atavic’. Rosny wrote also in the dying Earth genre – stories set in the far future where the Earth is drying out and a new species – the ferromagnetals is destined to supplant all others. He wrote several primitive Earth novels including Vamireh (1892), Eyrimah (1893) and the world-renowned classic La Guerre du Feu better known as Quest for Fire (1909). For the first time, several lineages, several hominid and modern humans share the same narrative frame, the same territory. There we have all these various hominid and hominin evolutionary lineages crossing over, interacting and exchanging knowledge, microbes and as modern paleo genetics has thought us – even ancient genes.

Les Xipéhuz 1887

imdb / Adult Swim