Month: May 2019
1108
Sepultura – Arise [OFFICIAL VIDEO]
Helloween “-Walls Of Jericho” full album / judas / guardians
Obituary – The End Complete
Megadeth – Train of Consequences
Paradise Lost – Shades Of God (Full Album)

Holy War
The Crown and the Ring / Kingdom Come
Mountains
Guyana (Cult Of The Damned)
“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:
“Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers
1107
1106 – The OA Part II (2019)

The second season follows the OA as she traverses to another dimension and ends up in San Francisco to continue her search for her former captor Hap and her fellow captives, as Prairie crosses paths with private eye Karim Washington to assist in his investigation of the surreal disappearance of a missing girl that involves an abandoned house with a supernatural history and an online puzzle game. Meanwhile, in the original dimension, a series of unfortunate events propels the OA’s five companions to embark on a road trip across America to assist the OA on her journey.
014-the-oa-2016/

1105
1104 – The Wandering Earth / 流浪地球 (2019)
timespace coordinates: In the future, the Sun has aged and is about to turn into a red giant, pushing the nations of the world to consolidate into the United Earth Government, a world government, to initiate a project to move the Earth out of the Solar System to the Alpha Centauri system, in order to preserve further human civilization. Enormous thrusters running on fusion power are built across the planet to propel the Earth. Human population is reduced severely due to catastrophic tides that occur after the planetary engines stop Earth’s rotation, and later as the planet moves away from the Sun, much of the surface is frozen due to lowered temperatures, forcing humans to live in vast underground cities built adjacent to the engines.
The Wandering Earth (Liu lang di qiu) is a 2019 Chinese science fiction film directed by Frant Gwo, based on the novella of the same name by Locus Award and Hugo Award-winning author Liu Cixin. It stars Qu Chuxiao, Li Guangjie, Ng Man-tat, Zhao Jinmai, Wu Jing and Qu Jingjing. (wiki)
According to The Hollywood Reporter, The Wandering Earth is China’s “first full-scale interstellar” film.

