time machine // database // travel guide
spacetime coordinates: village in the mountains of South Korea August 31, 2014 – February 28, 2015
The Wailing (Hangul: 곡성; Hanja: 哭聲; RR: Gokseong) is a 2016 South Korean supernatural horror film directed by Na Hong-jin about a policeman who investigates a series of mysterious killings and illnesses.
According to director Hong-jin Na, the movie was made on the base of folk religions in Korea, Shamanism in Nepal and Catholic faiths.
spacetime coordinates: the Orient Express, winter of 1934
Murder on the Orient Express is a 2017 American mystery drama film directed by Kenneth Branagh with a screenplay by Michael Green, based on the 1934 novel of the same name by Agatha Christie. The film stars Branagh as Hercule Poirot, with Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Derek Jacobi, Leslie Odom Jr., Michelle Pfeiffer, and Daisy Ridley in supporting roles.
The film is the fourth adaptation of Christie’s novel, following the 1974 film, a 2001 TV film version, and a 2010 episode of the television series Agatha Christie’s Poirot. The plot follows Poirot, a world-renowned detective, as he seeks to solve a murder on the famous trans-European train in the 1930s.
http://www.imdb.com/title/tt3402236/
spacetime coordinates: 1990’s Buffalora, little town in the north of Italy
Cemetery Man (Italian: Dellamorte Dellamore) is a 1994 comedy horror film directed by Michele Soavi and starring Rupert Everett, François Hadji-Lazaro and Anna Falchi. It was written and produced by Gianni Romoli and Michele Soavi and based on a 1991 novel by Tiziano Sclavi. Sclavi is also the author of the comic Dylan Dog, which covers similar themes and whose protagonist is a Rupert Everett lookalike. Everett plays a beleaguered caretaker of a small Italian cemetery, who searches for love while defending himself from dead people who keep rising again. It is an international co-production between Italy, France, and Germany.
http://www.imdb.com/title/tt0109592/
ignis fatuus (will-o’-the-wisp ) Medieval Latin for “foolish fire”) is an atmospheric ghost light seen by travellers at night, especially over bogs, swamps, or marshes. It resembles a flickering lamp and is said to recede if approached, drawing travellers from the safe paths. The phenomenon is known by a variety of names, including jack-o’-lantern, friar’s lantern, hinkypunk, and hobby lantern in English folk belief, and is well attested in English folklore and in much of European folklore. (read more)
spacetime coordinates: 2010’s Stockholm
“The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations.”
The Square is a 2017 Swedish satirical drama film written and directed by Ruben Östlund, and starring Claes Bang, Elisabeth Moss, Dominic West and Terry Notary. The film is about publicity surrounding an art installation, and was partly inspired by an installation Östlund and producer Kalle Boman had made.
(development) Originally with the performance artist who entertains the affluent patrons, Östlund was considering modelling the character after G.G. Allin, but deciding that that would be too “extreme”, he fell back on his interest in animal imitations. In crafting the scene, his concept was: “this internationally recognized artist is pretending to be a wild beast. What happens when he enters a room full of people in tuxedos?” The scene was inspired by a real incident with the artist Oleg Kulik, who performs as a dog and had attacked people at a notorious event in Stockholm. Other artists parodied in the film include Julian Schnabel, Robert Smithson and Carl Hammoud.
Oleg Kulik “Reservoir Dog” Zurich 1995
Marwencol (also known as Village of the Dolls in the UK) is a 2010 American documentary film that explores the life and work of outsider artist and photographer Mark Hogancamp. It is the debut feature of director-editor Jeff Malmberg.
http://www.imdb.com/title/tt1391092/
spacetime coordinates: 19th-century England, Yorkshire > the Amazon and its tributaries > the Andes of Peru and Ecuador
“Pushing against its scientific reputation as downright boring, moss in particular served to create some botanical, aesthetic sense of a setting that allowed for illicit sexual encounters and for primal yearnings. The reasons for this strange dual identity of bryophytes as both mundane and as primal are relatively clear: realistically, moss provided a soft bed for sexual romps that had to take place outside of stuffy Victorian homes. Serving, perhaps predictably, as a slang term for pubic hair, moss was understood to be consistently moist and jewel-like, glittering like emerald colonies under light. (…) Although tropes of sexual encounters occurring in gardens and forests far predated the nineteenth century, both realistically and literarily, these hidden moss grottoes conjured up an image of something semi-religious, some secret refuge from the trials of urban — and overwhelming imperial tropical — life.”
spacetime coordinates: 18th – 19th century Easter Island
“According to one early commentator, Rapanui songs expressed ‘the surprise of being alive and also the sadness of life.’”
TimeSpace Warps 