time machine // database // travel guide
spacetime coordinates: July 1967, Detroit
Detroit is a 2017 American period crime drama film directed by Kathryn Bigelow and written by Mark Boal. Based on the Algiers Motel incident during Detroit’s 1967 12th Street Riot, the film’s release commemorated the 50th anniversary of the event.
Singularity began as a low-budget sci-fi film called Aurora, which was shot in 2013 in the Czech Republic and Switzerland. John Cusack was not involved in the original shoot. Years later, scenes with Cusack were shot and inserted into the new production, and extensive CGI effects were used to tie the new material to the original film.
spacetime coordinates: Germany. 57 years after aliens took over Planet Earth
Invasion: S.U.M.1 is a 2017 English-language German science fiction film starring Iwan Rheon and André Hennicke, written and directed by Christian Pasquariello. The film follows Private S.U.M.1, a soldier living in a post-apocalyptic Earth. He is serving on a hundred-day mission outside Exilium, the highly fortified compound housing the human survivors of an alien invasion. S.U.M.1 is assigned to an outpost to monitor and secure a remote bunker which is part of a defense circle surrounding the compound.
The Russian Woodpecker is a 2015 documentary film written, produced and directed by Chad Gracia following Fedor Alexandrovich’s investigation into the Chernobyl disaster. It is Gracia’s directorial debut feature.
The films focuses on Fedor Alexandrovich’s research into the cause of the Chernobyl nuclear disaster in Ukraine and its potential connection to a Soviet Cold War-era structure, the Duga over-the-horizon radio antenna. His investigation is interrupted and impacted by the 2014 Euromaidan uprising, which eventually led to the ousting of the president Viktor Yanukovych.
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Drawing on her experiences as a scientist, a mother, and a Native American, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.
https://www.goodreads.com/book/show/87040.Gathering_Moss
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“the tiny pool of water held in a spoon-shaped leaf is the perfect resting place for a waterbear, as plump and gelatinous as a candy gummy bear. the moisture in a moss mat is as vital to the moss as it is to the waterbear. but, since mosses are non-vascular, their water content fluctuates with the amount of water in the environment. the moss leaves shrivel and contort as water evaporates, leaving them crisp and dry. the waterbears too, simply shrink when desiccated to as little as one-eight of their size forming barrel- shaped miniatures of themselves called tuns. metabolism is reduced to near zero and the tun can survive in this state for years. the tuns blow around in the dry winds like specks of dust, landing on new clumps of moss and dispersing farther than their short waterbear legs could ever carry them.”
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https://en.wikipedia.org/wiki/Bog_body
Timeline – Bog Bodies on youtube
4000 Year Old Cold Case – The Body in the Bog
Carved idol from the Urals shatters expert views on birth of ritual art – “Only the freak conditions of the peat bog of Yekaterinburg permitted the idol’s survival.” read more
Mother! (stylized as mother!) is a 2017 American psychological horror film written and directed by Darren Aronofsky, and starring Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer. Lawrence said that the film is an allegory: “It depicts the rape and torment of Mother Earth … I represent Mother Earth; Javier, whose character is a poet, represents a form of God, a creator; Michelle Pfeiffer is an Eve to Ed Harris’s Adam, there’s Cain and Abel and the setting sometimes resembles the Garden of Eden.
The film uses a dream-logic narrative, of which Aronofsky has noted, “if you try to unscrew it, it kind of falls apart,” and that “it’s a psychological freak-out. You shouldn’t over-explain it.”
spacetime coordinates: 1940 France
Dunkirk is a 2017 war film written, directed, and co-produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II. The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros..
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue: Nolan sought to create suspense instead from cinematography and music.
Dunkirk has extensive practical effects, and employed thousands of extras as well as boats that participated in the evacuation, and period aeroplanes.
The film received praise for its generally realistic representation of the historical evacuation. It accurately depicts a few Royal Air Force planes dogfighting the Luftwaffe over the sea, limited to one hour of operation by their fuel capacity. In 1940, destroyers and fighter planes were indeed held back from battle, as the Royal Navy and Air Force would have been the sole defenders against invasion. Also praised were accurate depictions of how a small boat attempted to evade aerial attack, and how soldiers returning to England saw a civilian population largely unaware of or unaffected by the war. British officers did initially refuse to evacuate French soldiers, although Churchill later insisted that the French be evacuated alongside the British. The overall realism of the film was acknowledged by surviving Dunkirk veterans, although Branagh said that some thought it “was louder than the battle” (read more: Historical accuracy)
*by_jwolforange13
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TimeSpace Warps 