spacetime coordinates: 2012 southern Louisiana bayou community called the “Bathtub” (a community cut off from the rest of the world by a levee)
Beasts of the Southern Wild is a 2012 American drama film co-written, co-scored and directed by Benh Zeitlin. It was adapted by Zeitlin and Lucy Alibar from Alibar’s one-act play Juicy and Delicious.
…Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean…
The fictional island of the film, “Isle de Charles Doucet” known to its residents as the Bathtub, was inspired by several isolated and independent fishing communities threatened by erosion, hurricanes and rising sea levels in Louisiana’s Terrebonne Parish, most notably the rapidly eroding Isle de Jean Charles. It was filmed in Terrebonne Parish town Montegut.
Hushpuppy: [about an emergency shelter] When an animal gets sick here, they plug it into the wall.
I Kill Giants (2017)
I Kill Giants is a 2017 American fantasy thriller film directed by Anders Walter with a screenplay by Joe Kelly, based on Kelly and Ken Niimura’s graphic novel of the same name. The film stars Madison Wolfe, Imogen Poots, Sydney Wade, Rory Jackson and Zoe Saldana.
Doomsday Book (Hangul: 인류멸망보고서; RR: Inryu myeongmang bogoseo; lit. “Report on the Destruction of Mankind”) is a 2012 South Korean science-fiction anthology film directed by Kim Jee-woon and Yim Pil-sung. It tells three unique stories of human self-destruction in the modern high-tech era, while displaying an alternative form of genuine humanity and compassion. A Brave New World is a political satire about a viral zombie outbreak; The Heavenly Creature philosophizes on whether a robot can achieve enlightenment; and in Happy Birthday a dysfunctional family bonds in the midst of an apocalypse.
Science Fiction Volume One: The Osiris Child (aka Origin.Wars) is a 2016 australian science fiction film directed by Shane Abbess, Set in the future in a time of interplanetary colonization, an unlikely pair race against an impending global crisis and are confronted by the monsters that live inside us all.
Still one of the most bizarre “pop” groups ever made. They were the definition of “living art”. A sick combination of Gnostic religion, country music, ice cream carts, stage house and a dash of Jesus complex. As icing on the cake they deleted their whole back catalog of music when they went into “retirement”, music that was worth millions of pounds in record revenues. If that was not bizarre enough, they took out a million pounds sterling, nailed all the banknotes on a board and burned everything in front of a camera. Today you can not find their music either on Spotify, iTunes or a record store. Only through file sharing or YouTube can you hear the phenomenon that was … The KLF.
read about The KLF aka The Justified Ancients of Mu Mu here: https://en.wikipedia.org/wiki/The_KLF
Transcendent Man (2009)
Transcendent Man is a 2009 documentary film by American filmmaker Barry Ptolemy about inventor, futurist and author Ray Kurzweil and his predictions about the future of technology in his 2005 book, The Singularity is Near. In the film, Ptolemy follows Kurzweil around his world as he discusses his thoughts on the technological singularity, a proposed advancement that will occur sometime in the 21st century when progress in artificial intelligence, genetics, nanotechnology, and robotics will result in the creation of a human-machine civilization.
Ray Kurzweil, whose very name in a scrumptious irony, recapitulates the very finitude against which he is struggling so mightily (eine kurze Weile is German for “a little while”, “a brief period”)
Transcendence is a 2014 dystopian science fiction film directed by cinematographer Wally Pfister in his directorial debut, and written by Jack Paglen.
timespace coordinates: near future Los Angeles
Her is a 2013 American romantic science-fiction drama film written, directed, and produced by Spike Jonze. It marks Jonze’s solo screenwriting debut. The film follows Theodore Twombly (Joaquin Phoenix), a man who develops a relationship with Samantha (Scarlett Johansson), an artificially intelligent virtual assistant personified through a female voice. The film also stars Amy Adams, Rooney Mara, and Olivia Wilde.